Mini Converter SDI to Analog 4K includes everything you need to convert from SD, HD, 3G and 6G‑SDI video to analog in HD/SD component, NTSC and PAL video. The built in down converter means you can even connect Ultra HD sources to component video in SD or HD as well as NTSC and PAL video! Easily connect any analog equipment such as Betacam SP, VHS, and video monitors!
Call / Whatsapp Us:
+60164635789ALL PRODUCTS
- Brands addremove
- Videography addremove
- Video addremove
- Audio addremove
- Lights addremove
- Displays addremove
- IP addremove
- Software addremove
- Radio Frequency addremove
- IT addremove
- Accessories
- EOL Soon
- Promos
H.264 Pro Recorder
Reference:
Encode to digital H.264 files in real time from professional SDI, HDMI, analog component, S-video and composite video equipment! Get the highest quality 4:2:2 video capture from all popular SD/HD video formats. Connect video cameras and VTRs, including HDCAM, Digital Betacam, Betacam SP, DVD players and much more. H.264 Pro Recorder includes Media Express software for Mac OS X and Windows, which lets you preview and set the video quality of encoded files.

Secured Payment

Delivery Policy

Refunds & Return Policy
SDI Video Input
1 x 10‑bit SD/HD switchable
Analog Video Input
1 x Component YUV on 3 BNCs switchable to S‑Videoor Composite. Component supports HD and SD.
HDMI Video Input
1 x HDMI type A connector.
Analog Audio Input
2 Channels of professional balanced analog audio with standard 1/4 inch jack connections.
SDI Audio Input
2 Channels from embedded SDI audio.
HDMI Audio Input
2 Channels from embedded HDMI audio
.
External Control
RS‑422 deck control.
Computer Interface
USB 2.0 high speed (480Mb/s)
SD Video Formats
525i59.94 NTSC, 625i50 PAL
HD Video Formats
720p50, 720p59.94, 720p60
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60
1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30
1080i50, 1080i59.94, 1080i60
SDI Compliance
SMPTE 259M and SMPTE 292.
Audio Sampling
Television standard sample rate of 48 kHz and 24 bit.
Video Sampling
4:2:2 YUV
SDI Color Precision
10-bit
Color Space
REC 601, REC 709
HDMI Color Precision
10-bit
SDI Rates
270 Mb, 1.5G‑SDI, 3G‑SDI
Copy Protection
HDMI input is unable to capture from copy protected HDMI sources. Always confirm copyright ownership before capture or distribution of content.
Encoding
Hardware based real time H.264 encoder supports multiple profiles for small, portable video devices through to full resolution HDTV.
Realtime Scaling
Capture at full HD or SD resolution, or use direct resize in realtime to scale and encode for the intended playback device, such as iPhone, iPad or iPod.
Software Included
Media Express, Blackmagic System Preferences and Blackmagic driver on Mac™. Media Express, Blackmagic Control Panel and Blackmagic driver on Windows™.
Internal Software Upgrade
Firmware upgrade via USB.
Operating Systems
Mac 10.14 Mojave,
Mac 10.15 Catalina or later.
Windows 8.1 and 10.
Physical Specifications (w x d x h)
4.85” x 4.24” x 0.91”
Power Supply
+12V universal power supply included with international socket adaptors for all countries. Cable tie point.
Physical Installation
Requires computer with a USB 2.0 port.
Operating temperature
0° to 40° C (32° to 104° F)
Storage temperature
-20° to 45° C (-4° to 113° F)
Relative Humidity
0% to 90% non-condensing
What's Included
H.264 Pro Recorder
Software CD
+12V universal power supply with international socket adaptors
Warranty
12 Month Limited Manufacturer’s Warranty

Encode to digital H.264 files in real time from professional SDI, HDMI, analog component, S-video and composite video equipment! Get the highest quality 4:2:2 video capture from all popular SD/HD video formats. Connect video cameras and VTRs, including HDCAM, Digital Betacam, Betacam SP, DVD players and much more. H.264 Pro Recorder includes Media Express software for Mac OS X and Windows, which lets you preview and set the video quality of encoded files.
6 Other products that might interest you:
DELIVER CUTTING-EDGE VIDEO PRODUCTS WITH EPOCH | NEUTRON
In an industry that always demands "bigger and better" Bluefish444 have yet again delivered! This time we have gone one step further, the Epoch | Neutron packs a massive amount of power into a form-factor that defies belief. With 3 independent SDI I/O connectors, an HDMI video OUTPUT and options for AES EBU audio I/O, analogue audio OUTPUT, LTC I/O, and RS-422 machine control.
12G-SDI Input and Output up to 4K/UltraHD with LC Fiber Transceiver
• 12G-SDI Input and Output up to 4K/UltraHD
• 4-channel balanced audio Embedder/Disembedder
• Ships with a Fiber LC single channel SFP Transceiver for extending 4K/UltraHD signals over long distances
• Audio Disembedding is always functional with four Analog outputs
• Audio Embedding is user selectable on a channel pair basis, to either pass 12G-SDI input audio or embed input analog audio
• Selectable Analog audio levels
• Automatically detects and configures the input video standard
• Small form factor allows for a wide variety of installation locations
• Supplied XLR breakout cable offers 4-channels In and 4-channels Out for a total of eight XLR connectors
• USB connectivity via AJA Mini-Config software
• Dipswitch configuration
• +5-16 VDC Power
• Five year warranty
3G-SDI Analog Audio Embed/Disembed
The 3G-AMA is a 4-channel analog audio embedder/disembedder with support for 3G-SDI input and output up to 1080p 60. Audio disembedding is always functional, providing four analog outputs. Audio embedding is user selectable, on a channel pair basis, to either pass 3G-SDI input audio or to embed input analog audio from the breakout cable. Analog audio levels are selectable. The 3G-AMA automatically detects and configures to the input video standard.
VLock compatible battery plate for attaching third party batteries to URSA cameras.
Stream Vertical Video Using 2 Cameras
Do you want to stream vertical video to social media but want to have multiple camera angles? This two-camera vertical video streaming solution will help you achieve that. SE-500HD switcher in this workflow can be setup to do a vertical production, so all you would have to do is flip your cameras 90 degrees and you can switch between multiple vertical shots.